Category: Cultural and Literary in Modernity

A. Linda Hutcheon
B. Homi Bhabha
C. Jacques Derrida
D. Fredric Jameson

A. Stream of consciousness often relies upon “free association” of ideas.
B. Stream of consciousness is the capturing of the interior monologue of the narrator.
C. Stream of consciousness attempts to accurately capture the external dialogue of various characters in a realistic setting by an objective observer.
D. A and B only

A. “We want to sing the love of danger, the habit of danger and of temerity.”
B. “The essential elements of our poetry will be courage, daring, and revolt.”
C. “We want to sing the man who holds the steering wheel, whose ideal stem pierces the Earth, itself launched on the circuit of its orbit.”
D. “We want never to glorify war, the scourge of the planet.”

A. Giorgio de Chirico
B. Salvador Dalí
C. Marcel Duchamp
D. Paul Gauguin

A. The end of the novella depicts Marlow’s conversation with the Kurtz’s Intended.
B. The work considers the dark side of European colonialism.
C. Marlow comes to understand the necessity of European leadership in Africa.
D. Both A and B

A. In English literature, we cannot refer to “the tradition” or to “a tradition;” at most, we employ the adjective in saying that the poetry of so-and-so is “traditional” or even “too traditional.”
B. Tradition is the great conversation which links all English literature and is a coherent and stable cannon.
C. All of the above
D. A and B only

A. Produce works of art that were meaningless
B. Reject artistic production that was obligatorily moral in character
C. Avoid all forms of prose
D. Make art profitable above all else

A. Gabriel Garcia Marquez
B. Isabel Allende
C. James Joyce
D. Allejo Carpentier

A. “The modern writer (scriptor) is born simultaneously with his text.”
B. “Once the Author is gone, the claim to “decipher” a text is quite simple.”
C. “A text never consists of multiple writings, it is always the product of a monolithic culture.”
D. Both A and B

A. Marx
B. Freud
C. Darwin
D. Aristotle