Category: Literary Theory and Criticism

A. Charles Lamb
B. Joseph Conrad
C. Coleridge
D. Wordsworth

A. Change in the fortune of the hero from bad to good
B. Change in the fortune of the hero from good to bad
C. Constancy in the fortune of the hero
D. Fluctuations occurring in the fortune of the hero

A. 2 sources
B. 3 sources
C. 4 sources
D. 5 sources

A. Wordsworth
B. Coleridge
C. Southey
D. Shelly

A. F.L. Lucas
B. J K Atkins
C. Derrida
D. Hillis Miller

A. A term first used by literary theorists William Wimsatt and Monroe Beardsley
B. A term that suggests that a critic should study the structural and thematic elements of a poem rather than the effect it has on the emotions of the reader
C. An important term in the field of New Historicism
D. All of the above answers are correct.

A. Art presents only part of the world
B. Art describes only what appears and not what is real
C. Art tells lies about the world
D. Art is an exaggeration of the world

A. Harold Bloom’s “An Elegy for the Canon”
B. Jacques Lacan’s “The Mirror Stage . . . ”
C. Cleanth Brooks’s “Keats’s Sylvan Historian”
D. Edward Said’s Orientalism

A. To connect human beings with a higher ideal
B. To entertain those who enjoy it
C. To criticize society through satire
D. All of the above answers are correct.

A. A classical approach
B. Romantic approach
C. Neo-classical approach
D. None of these